terça-feira, junho 10


(...) Emerging out of a revolutionary social, artistic and cultural environment of protest and reclamation of rights, “The Human Rights Movement”, this improvisation practice has been growing and rooting itself since the 1970’s, initiated by Steve Paxton, Nancy Stark Smith, and other performers/choreographers of the NY’s new dance movement (or postmodern dance, Banes, 1980), around the Judson Dance Theatre, and the Grand Union.
In continuing expansion throughout the USA, Brazil, Europe, Asia, and all over the world, in cities such as, Paris, London, San Francisco, Los Angeles, São Paulo, the CIJam constitutes a community of communities, an environment where we feel at home any where it happens.
CI's hybrid and catalyzing power is the fact of refusing to constitute a school, and instead, developing in osmosis with other forms of improvisation and movement. However, the form is legitimated in the passing of experience between practitioners and beginners. Departing from principles of T’ai Chi Chuan, Aikido, and Gymnastics, and taken improvisation as group performance, CI has been assimilated by classic, modern and contemporary dance movements, and more recently, mixing with partnering dances, like Tango. Nonetheless, it maintains its democratic principles of equality and respect for subjects' genders, sexualities, and ethnic differences.
The character we value in the Jam it’s the openness to the here and now of the experience build by the participants, instead of a directed / guided or facilitated practice. This openness does not mean that, when needed, we will introduce beginners to the basic principles in suggested experiences.
To the value attributed to physical touch amongst subjects, we add the idea of experimenting with interactive audio-visual and other media systems. Based on spatial and wearable sensors, touch will function also as media modulator influencing the interactions.In our informatized and sedentary urbis, human relationships tend to be restrict to verbal logical-rational verbal communication, or to movement and dance practices extremely coded and connoted, and where body interactions between subjects tend to be limited to sexual practice or bound. The CILXJam opens others possibilities for experiencing / thinking / communicating bodies’ physicality and perceptive sensuality.

Text: CILXJam organization (Isabel Valverde and Sofia)


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